|
       
|
In accordance with
the wishes of her family, most of whom live in France, Saint Jani was
buried in Baillou, a small village located in the region of Perche. On
the initiative of her family and friends, and with the assistance of the
AMSJ (Association du Mémorial de Sainte Janie), a memorial was
erected in her memory. It was somewhat extraordinary for all the authorities,
including the Town Hall of Baillou, the Sub-Prefecture of Vendôme, the
Regional Department of Equipment and Facilities, and the "Communauté de
communes des collines du Perche" to provide the authorizations necessary
for the construction of this memorial, which is unique in France. According
to the guidelines of the "Comité de la Charte des Espaces Naturels du
Perche du Canton de Mondoubleau," dated May 16, 1994, given the exceptional
nature of this memorial "it seems justified that a waiver to the general
law that forbids any development outside of built-up areas should be granted,"
for the memorial contributes to "ennobling the site where it will be erected."
Furthermore, "beyond the site itself, the quality of its style and materials
are such that they can be considered an enrichment to the architectural
heritage of Mondoubleau." Beyond these considerations, however, the memorial
serves to remind us that everywhere in the world, there are men and women
who are working whole-heartedly and selflessly to be a source of good
for others. The memorial is an invitation to reflect for those who wish
to follow their example and develop the same qualities within.
The construction of
the memorial was a true challenge on several levels. First, it was an
architectural challenge in that it required extensive research of lines
and materials that combined simplicity and originality, solidity and fineness,
within the limits of significant budgetary constraints. Second, it was
a technical challenge in that the monument was a permanent prototype and
thus had to be constructed and completed with exceptional precision. Finally,
it was a challenge in that the work was performed by a team of paid workers
and volunteers not only from different regions of France, but also from
around the world. The cultural backgrounds of the workers were so diverse
that at times none of them even spoke the same language. Indeed, constructing
the memorial was a long and exacting task during which innovative techniques
were used alongside ancestral ones such as the waterproofing of lead.
The pure and universal
shapes of the memorial, cubes and pyramids, are a tribute to the person
who inspired this monument. The base of the cube is a square measuring
almost 14 meters in length on each side. Angled pillars are erected at
each corner of the square, upon which four lintels rest, thus creating
the upper lines. A four-sloped pyramid forms the roof. The monument was
designed as a puzzle of 120 pieces, each weighing between one and ten
tons and measuring up to eleven meters in length. All the elements had
to be adjusted with extreme precision along three axes (height, length,
and width). The monument was built with a clear, neutral reconstituted
stone. The floor, the stairs and the forecourt, which has been designed
to automatically drain water, were built with 3000 slabs of neutral reconstituted
stone. Two stainless steel columns are inserted between each pillar; these
supporting structures also moderate the contrast between the massive and
archaic exterior of the memorial and its light and contemporary inner
structure. An envelope made of glass, held and stretched by a ladder-like
framework of stainless steel covered with tinted ash wood, appears to
spring up from the ground to enhance the communion with the surrounding
landscape with optimal transparency. The ceiling, as if suspended atop
a pyramid, unwinds its four large sails in a spherical motion. Made from
slats of ash wood, the ceiling was assembled with the use of shipbuilding
techniques.
The harmony of the memorial is further enhanced by a design whereby hollow
joints appear at regular intervals. The line formed by these joints is
interrupted at times by the presence of golden elements. A pole 18 meters
high extends the thrust of the pyramidal roof towards the sky. It is no
coincidence that we are invited to look up and through this monument,
for the luminous presence of Saint Jani and her memorial are an invitation
to reflect upon another perspective on life.
|
        |